| nudity |
4/10
A husband and his wife hug briefly in two scenes.
A husband and his wife lie in bed; he is fully clothed and she is wearing a tank top with a quilt covering the rest of her body (the shape of her nipples seem visible through her tank top as the scene ends).
A man who appears to be nude jumps out of a wall in a dark basement and we see what looks like a side view of nude buttocks, thighs, legs, shoulders and arms.
A magazine picture of a nude woman has faces pasted over the breasts and a huge laughing mouth pasted at the groin area; we can see a bare shoulders, arms, abdomen, navel and partial thighs.
A woman wears two dresses that reveal some cleavage.
Three men appear shirtless; two have tattooed stars and patterns along their shoulder blades and upper back while the third man has Latin words and Persian symbols carved into his entire chest and much of his back.
We hear that a criminal called Marvin the Molester is charged with 11 cases of child molestation and two counts of child murder.
A priest tells a colleague that he had sex with a parishioner who became pregnant and had an abortion; in another scene, a man tells the priest that the baby was not aborted, but we hear that this is a lie.
A woman in a bar tells a man that he looks good sweaty; he wishes her good night and leaves.
A man berates a priest for taking a vow of celibacy and the priest ignores the remark. |
| violence |
7/10
A man chases a another man, pistol-whips him until his face is bleeding down the full front of his shirt, and finally punches him to death and keeps on punching the body below the frame; after this incident, the man hears static, sees the man's bloody face and hears children laughing in several scenes while no one else can see or hear these things.
A woman has a bloody face from a beating and sits crying as her husband runs outside, away from police, who fight him with fists, headlocks, knives and a thrown baton (his mouth is bloody).
American soldiers in Iraq shoot rifles and we see men fall dead (no blood is seen).
A man with two knives fights with a zombie-like man that has a narrow-bladed hatchet; after a few minutes of swiping at each other, the zombie-man wounds the other man in the chest (blood gushes from the wound) and the attacker leaves and we see a pool of blood under the wounded man.
A detective finds a dead baby wrapped in a blanket and in a dumpster (we see the infant's ankles and feet).
On an outside staircase landing, we see the scratched and bloody lower legs of a 6-year-old girl sticking out from behind a toppled waste can and hear that she is dead by murder.
A bloody female psych patient falls from an upper window onto the window of a police vehicle, cracking the front glass; we see her on the ground, twisted and with eyes open, bones sticking out of her knee and a demon-possessed man later says that he killed the woman.
In a dirty maximum-security psych ward, we see food trays scattered along a hallway; a man lies on the floor of a cell with his right arm convulsing and a woman covered with blood about the hands and face nearby; the woman crawls over the man's body, carrying a ring of keys in her mouth and moves off screen as the man's twitching arm stops (the man is presumably dead).
A possessed man chews two large pieces of flesh from one of his lower legs and we see blood on his mouth as he spits the two pieces onto the floor; we see bloody flesh on the floor, but not the leg wounds.
A man bites into the thigh of one man and the arm of another man, but we do not see the wounds; the men shout in pain.
An intense sequence in an interrogation room shows a priest and a police detective performing an exorcism on a man whose chest is carved with Persian symbols and Latin words and he is bleeding; the man breaks out of a straitjacket and handcuffs and we see that his face and mouth are bleeding as he is restrained to a chair with new handcuffs (his neck breaks itself backwards over his chair back with a snap and then rights itself again) while loud rock music plays and the detective covers his ears; suddenly, his forehead opens up in a line under the hairline and bleeds (resembling wounds of an invisible crown of thorns), the priest repeatedly splashes holy water over the man's head and face, touches the forehead with a crucifix, and anoints the forehead with oil during scripture readings while the man growls, shouts, screeches and hisses loudly like a cat; he knocks down the priest (he is unhurt), a powerful scream drives the detective to go down to his knees, but he rises again as a blurred shot depicts a spirit flying around the room and re-entering the prisoner; glass windows shatter loudly and a rainstorm pours into the room, the lights go out and come back on until we see the carved man holding a rosary and a Catholic medallion while trying to scream like a demon (he appears shaken and bleeding, but alone).
A man jumps out of a wall and a flashlight shows a dead man lying face-up with gray-tinged skin; his eyes and stomach move and they suddenly burst out with swarms of flies (no blood or gore is seen).
Two soldiers descend into a cave, say it stinks in there, and their camera goes blank; we hear shouting and cursing as the scene ends and we later see one of the soldier's zombie-like face covered in streams of blood as he looks at a cave wall with Latin words and some symbols and a cloud of bats flies across the frame.
A detective's forearm is sliced open and we see a bloody wound; we later see the stitched arm bitten (blood gushing from dark brown stitches) by a female psychiatric patient that is foaming at her dirty mouth and has bloody fingers and a bloody, gray face; the detective shouts that he needs an HIV test and in the next scene, the man's arm is completely wrapped in a bandage.
A criminal fights with a detective in his home, fist fighting until the cop puts him in handcuffs.
A zombie-faced man looks at a woman on a video of zoo footage and she throws her two-year-old child into the lion enclosure, but he hits his head on a low wall and falls into a ravine; we hear that EMTs took the child to a hospital and he will be OK.
A piano plays "Pop Goes the Weasel" by itself and a male criminal jumps out the back of the piano, strangling a man until a priest shows up with a crucifix that silences the criminal.
A little girl is frightened when the lights go out, her bedroom door locks itself and her toys move by themselves in three scenes; a jack-in-the-box plays its own music and a large round owl toy hops and rolls toward her and when she opens the door, she sees a hooded man at the end of her hallway and screams loudly as the scene ends.
We hear that 11 children have been molested by a man called Marvin the Molester.
A woman tells a man that her husband returned from the Iraq War and began scratching and clawing the floors at home and we see scratch marks.
We see a dead cat nailed to a crucifix in place of Jesus and its dried-up body is slit open from throat to tail to reveal bones and dried flesh.
|
| frightening |
10/10
There's heavy, gory, bloody violence; disgusting corpses; struggling and fighting; guns and knives; children in peril; and scary demons.Lots of gory wounds, with gurgling and spurting blood; crazy, scary, demon-possessed people; and gross dead bodies.
Nearly all the scenes featuring the demon-possessed are disturbing, the climactic exorcism scene is pretty intense and frightening.
There's also a subplot about a child molester/murderer.
A crucified cat is shown.
A woman tosses a baby into a ravine at the zoo.
Overall: 37/50
16+ |
